![]() Supervillain Theme, with its hypnotic guitar pattern. There isn't a continuous vision but rather fleeting moments of brilliance,Įxotic tones and minimalist repetition, and Madlib's eclectic, encyclopedic, drunk/stoned and, at the same time, classy production, although it is debatable whether hisīeats here were as creative as on the Quasimoto album. It was both a stylistic phantasmagoria and a cartoonish concept album. Orchestration made it an impressive tour de force of production techniques,īut it was a far cry from the purported masterpiece of hip-hop. While every magazine bragged about it, very few reviews could explain Their collaboration yielded one of the most publicized albums in the history of Songs (mostly smooth soul-jazz-funk instrumental ballads) out of microscopic fragments of keyboards, guitar, sax, vibraphone, drums and bass (not samples, but his own creations). New York-based rapper Daniel "MF Doom" Dumile (former member of comicalĪnd Los Angeles-based producer Otis "Madlib" Jackson (the son of a bluesmanĪnd a folksinger, and the nephew of jazz trumpeter Jon Faddis), who hadĪlready experimented with the collage techniqueĪs the one-man band Yesterday's New Quintet (fictitiously described asĪ "quintet") on Angels Without Edges (Stones Throw, 2001), building Viktor Vaughn: Venomous Villain (2004), 5/10ĭangerdoom: The Mouse And The Mask (2005), 6/10 Viktor Vaughn: Vaudeville Villain (2003), 6.5/10 King Geedorah: Take Me to Your Leader (2003), 6/10 Quasimoto: The Further Adventures of Lord Quas (2005), 6.5/10 ![]() ![]() Sound Directions: The Funky Side Of Life (2005), 4/10 Yesterdays New Quintet: Angles Without Edges (2001), 6.5/10ĭJ Rels: Theme for a Broken Soul (2004), 4/10 Lootpack: Soundpieces: Da Antidote (1999), 5/10 ( Copyright © 1999 Piero Scaruffi | Terms of use) Madvillain: biography, discography, reviews, ratings, best albums
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